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It does a great job at explaining how the camera works, what the different settings do, and the techniques you need to master, from exposure to shutter speed to aperture. To stop you getting lost, there are handy checklists to make sure you're keeping up, and comparison images that show you how camera settings produce different results. It's worth noting the last full update to this book was in , so while a few things may have changed when it comes to technology, the general photography practises detailed in this edition still remain.
Another great book for beginners, this guide to digital photography tells you everything you need to know to get started with your camera, and is particularly strong on explaining the inner workings of the technology in the words a non-techie can understand. That might not sound like something you need to know, but the author does tie it into photography technique in a way that really helps you wrap your head around what you're doing. In this weighty book, fully updated in , photographer, writer and teacher Ben Long covers everything you need to know, from how to choose a camera to taking pictures and editing them.
Plus there are some great step-by-step tutorials to help you get started and improve your process and workflow. Ranging from the very basics to more advanced topics like exposure theory, composition, lighting and complex masking, this is more of a reference book than something you'll read from start to finish, but that in itself is no bad thing. If you're a photography novice looking for a relatively light and friendly read, this guide from Jim Miotke - the brains behind online photography school BetterPhoto.
Explaining everything an absolute beginner needs to get started taking great photos, it's packed with tips and advice, and explanations are friendly sounding and written in plain English. Once you've got to grips with the basics, Miotke walks you through taking 20 common categories of photos, including family and pet portraits, flowers, sunsets, candids, close-ups and monochrome shots.
Suitable for children and adults, this is one of the best photography books to make learning photography fun and rewarding, and ultimately whether it succeeds will be down to you. When it comes to learning photography, reading from books and watching videos are two approaches that each have strengths and weaknesses. So why not combine the two for the best of both worlds? That's exactly what this package from Tony Northrup, the founder of photo. As well as this page book, you get over three hours of supplementary online training videos, and free help from the author and other readers via an online readers group.
This is very much a practical, hands-on course that requires you to grab your camera and get shooting right away. There are exercises at the end of every chapter to give you the real world experience you need, and the emphasis is very much on learning by doing. This book takes an approach to improving your photography that makes perfect sense to us. In exactly that spirit, this book offers more than photographic tricks of the trade, to help you get looking, sharper, more colorful, more professional-looking photos, explained in the same way you would in a normal conversation.
So you learn how using a different setting, tool or trick in a particular situation can truly transform the quality of your work, and make it look more like the work of a pro than an amateur. Kelby really does write like you're standing next to you, and while that might sometimes be off-putting depending on whether you 'get' his sense of humour , there's no denying that these tricks really work, whether you're a beginner or an experienced photographer.
In the modern social media age, having a decent looking head-and-shoulders portrait is something that concerns everyone, not just actors and models. So if you want to know how to take professional looking headshots, this book by professional portraitist Peter Hurley is just what you need. Hurley also shares his trade secrets for getting genuine smiles and authentic expressions rather than people's standard 'photo face' that always makes a headshot look dull and lifeless. Note that this is not so much a step-by-step training manual or reference guide as an insight into how one man approaches his art.
But when it's someone at the top of his game like this, there's a huge amount any photographer can learn here. First published in , this book is considered a classic of photography instruction. It was fully updated in to incorporate digital photography. But actually, it's not so much a technical guide as a deep dive into the philosophical and creative side to photography. The author's main aim is to dissuade photographers from the approach of taking hundreds of shots in the hope of getting one good image, and instead understand the processes by which you can shoot fewer, but better pictures overall.
In other words, if you're at the stage of your photography journey where you understand all the tools and techniques, but you're still taking unimpressive pictures, this is the book for you. There's something magical about the idea of a photo studio, a place where you can ensure the right lighting, space and ambience to capture the perfect shot. But in the real world, photography takes place in much more challenging locations, and that's where this book comes in. Whether you're shooting a corporate portrait of a CEO, a test shoot with a model, or a promo shoot with a band, professional portraitist Nick Fancher explains how to get great looking shots in less than ideal scenarios.
He takes you behind the scenes of his own photo shoots and explains how getting creative, from changing the lighting to post-processing, allows you to develop your own vision and achieve professional looking shots in the potentially worst places. If you do a lot of portrait photography and want some tips on thinking outside the box, you won't find better.
There's no point in understanding the technical side of photography if you don't understand composition. This classic book, updated to celebrate its 10th anniversary in , explains the principles of good composition, and how to put them into practice. It's divided up into bite-size chapters to make everything easy to follow. And usefully the images which are mainly from the author's travel photography are shown with multiple crops, thus demonstrating how one particular composition of a picture works better than another. Following the author's reasoned and well-explained advice will help you develop your compositions and take better pictures as a result.
In short, if you struggle with composition as a photographer, then you need this book. Great photography lies not so much in technical expertise but in learning to see things in a different way to the norm. The starting point for this book is that you don't have to travel to far-flung locations to take arresting pictures; great images are possible any where.
You just have to scratch the surface and find them. Authors Brenda Tharp and Jed Manwaring encourage you to slow down, open your eyes and respond to what you see through advice, discussions and exercises. Throughout this book, you'll learn to use composition, available light, color, and different point of views to raise the quality and interest level of your shots. Aimed at amateur photographers who have technical knowledge but are lacking purpose and vision, this insightful read will help you rediscover your photographic soul and give you new ideas and enthusiasm.
If portrait photography is your area of expertise, or you want it to be, Mastering Portraits from Sarah Plater and multi-award winning portrait photographer Paul Wilkinson is one of the best photography books on the subject. The authoritative guide explains the essential techniques of portrait photography in a clear and concise way, with minimal jargon to make it as accessible as possible. Inside you'll find advice on choosing right camera and equipment for you, right through to understanding exposure, aperture, metering, shutter speed, depth of field and white balance settings.
No matter what your subject, the technical know-how, tips and hints in this book will help you get the very best portrait possible. Get to grips with landscape photography with one of the best photography books around. A beautifully illustrated workshop-in-a-book, this photography handbook acts as a training session in the art of landscape photography, mixing detailed written explanations with easy-to-follow creative assignments to help you hone your skills. Aimed at intermediate and advanced studio photographers, this book offers expert advice on how to light your studio portrait subjects properly.
Author Christopher Grey walks you through the process from start to finish, with step-by-step walkthroughs and before-and-after images demonstrating how each change you make to your lighting equipment affects the look and feel of your portraits. This book is not suitable for beginners, but anyone with some experience of taking portraits in the studio will find this practically focused and comprehensive book a useful resource in improving your understand of this essential skill. Updated for , this popular book explains the fundamentals of exposure as it relates to light, aperture and shutter speed, in order to help you taking successful photographs in almost any situation.
Author Bryan Peterson, founder of www. Peterson has a clear enthusiasm for his subject, and whether you're an experienced beginner or an intermediate photographer looking for a refresher, you'll get a deeper understanding of exposure from this guide that can't help but improve the quality of your images. Many of the most basic photography terms can be off-putting to the beginner, and even experienced photographers don't always understand them properly. So this book explains the fundamentals in a quick, easy and very accessible manner, allowing you to have more control over quality of your images.
By the end you'll fully understand exposure and its components, aperture, shutter speed, and ISO — also known as the Exposure Triangle — and how they work together. Every photographic term is clearly defined and thoroughly explained, as well as being highlighted by using bold caps, so that you can easily find them again to refresh your memory. With handy charts and relevant photos included to aid understanding, this book is tightly focused on helping you explain what can be complex and confusing concepts, and so it's the ideal purchase for anyone who's struggling with them.
You don't always have the perfect lighting for the image you want to capture, and this can be particularly problematic for beginner and amateur photographers. Each challenge and solution and is explained clearly and logically, and you'll come away with an array of tools at your disposal next time you attempt to take a decent photograph in poor lighting conditions.
Note though that although the title doesn't suggest this, all the examples given involve photographing people at weddings, etc so there's nothing here on landscape or wildlife photography, for example. It doesn't matter how great a photographer you are, every now and again your images can benefit from a little photo editing. Photoshop remains the industry standard software, and this book by digital imaging professional Martin Evening takes you through the features of the latest version.
All the tools and techniques you need to know to edit photos successfully are here, and there's also guidance on how to organise your workflow so it doesn't become too much of a drain on your time. There are lots of real world examples, plus an accompanying website that features sample images, tutorial videos, and bonus chapters to help you get the most out of this guide. Note that this is more of big reference book than a training guide though; there's a lot of material here and would take a very long time to get through absolutely all of it.
Want to learn Photoshop?
Best Books To Learn Wedding Photography
Then it makes sense to learn from the creators. This guide from Adobe Press walks you key step-by-step techniques for working in Photoshop via 15 project-based lessons. You'll learn how to correct, enhance, and distort digital images, create image composites, prepare images for print and the web, master essential elements of the interface, and try out the latest features such as Content-Aware Crop, Select and Mask, Face-Aware Liquify, multiple artboards and enhanced brush presets. This revised edition is bang up to date for the latest release of Photoshop. Downloadable lesson files are available online, and you also get access to a web edition of the book containing interactive quizzes and videos.
The companion volume to Adobe Photoshop CC Classroom in a Book see above , you can follow this guide from start to finish, or choose only those lessons that interest you.
13 Tips for Setting Your Wedding Photography Prices
Instagram looks like it's here to stay. And love it or hate it, it can work wonders for building a business when used in the right way. You really only need minutes to get a lot of great shots! The positioning of the bride will play a significant role in how the photos turn out. While there are different factors that will play into what is flattering vs. You may also want to consider any personal attributes the bride may be self-conscious about. For example, a curvy bride may not be entirely comfortable with some extra weight around her stomach area — especially when nude or in lingerie.
One solution may be to take more photos from the torso up. Please note…there is no one size fits all solution here. You need to use your judgment, and communicate with your bride as necessary.
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On occasion, we get asked why photographs of details matter. Especially right now. But, when a couple revisits their wedding day a decade or two from now, having photos of the little items will help to stir up great memories of the event. It helps tell the story of the wedding in the same way a great movie features some well designed props. The smallest details like wedding rings and other jewelry will need a macro lens to capture them in their finest.
Early on in our career, we would photograph details with a 50mm — while it worked for what it was, our images became instantly better once we had a dedicated macro lens like this. If you need a cheaper solution since you are just starting out with wedding photography, you could also pick up a macro lens adapter. You can think of these as magnifying glass attachments you can put on the lenses you currently have.
We have used a few that have come with lens and camera kits we have purchased in the past, and they do a decent job considering how little they cost. For most of our photography, we simply use auto-focus. For macro photography, we make an exception and shift our lens from auto to manual focus. When taking pictures of small objects, your cameras auto focus performance will probably not be all that great.
We have found that adjusting the focus ourselves is a way to get more consistently in focus shots. One of the keys to getting crisp images is to make sure you are getting everything in the scene in focus. For normal sized subjects like taking pictures of people or landscapes, you can often get away with using a wide aperture ie: low f-stop to create depth by blurring out the background of the image. While this still applies in macro photography of wedding details, you will want to use a higher f-stop to get more of the item s in the frame in focus.
One special wedding photography tip we have is to bring along props to make the layout of your images more interesting and appealing. The change up is often subtle, but can help you to have more control over your images. One way to have a really consistent portfolio of detail images across all of your weddings is to use props. For related reading: 27 Wedding Photography Tips for Brides. Having a list of all the details you should be capturing will help you ensure that you photograph them all.
You should request this information in the wedding questionnaire you send out to your clients in advance of the wedding. Taken during their portraits, these can be really intimate and romantic shots that showoff the jewelry in the context of being on the people who are wearing them. Nailing the first look begins by finding a location that fits the bill. The things we look for in a great spot:. On paper, a first look is super simple. But, for a photographer, it can require some logistical planning to make sure everyone is set up and in position AND not seeing each before the moment is just right.
You find this information out by simply asking! In the event they want to be by themselves, finding a secluded location will help. Shooting in shade or more controlled environments will help with this tip. One of the absolute worst things to happen in any first look is for visualize how great a shot will look, then the sun decides to peak out and drench one person in bright light, and the other in dark shadow.
Weddings have a lot of common traits between them, but there will also be big differences. Going from shooting a Jewish wedding to a Catholic wedding is a pretty significant change up when it comes to the traditions and pacing of the ceremony. This is actually one of the most interesting parts about being a wedding photographer. Being exposed to so many different religious and cultural traditions. Heck, some ceremonies even incorporate really personal and family traditions that are probably the ones that bring us closest to tears as they unfold.
Normally, you will not be allowed on the altar area and flash photography will be prohibited. These are the well-intentioned family members, often older in age, that want to show off their photography chops during the wedding ceremony. In an effort to document the wedding, they end up serving as a distraction for a lot of the guests. They also can get in the way or otherwise distract from the professional photographer who is being paid to be there. From the processional to the exchanging of vows and rings to the first kiss, it can be valuable to know how the ceremony will unfold so you can make sure your in the right spot at the right time.
Having a copy of the schedule will make a world of difference. During most other points in the wedding day, you can manage with a single camera and lens setup, but ceremonies are so time limited that being able to quickly transition from one camera to the next is HUGE!! The way we normally use two cameras is by setting each up with different but complimentary lenses. For example, you might choose a mm lens to capture shots from further back, and a mm lens for capturing wider photos. This can allow you to get virtually any composition your heart desires within seconds of each other.
While you could just keep one camera on the sidelines and run back-and-forth to swap it out with the other, our preferred solution for shooting with two cameras involves having a 2-camera harness. If you wanted something with the same functionality but a little more durability and cool points, you could also pick up a HoldFast Moneymaker harness. During a wedding ceremony, your goal as a photographer is to be like a ghost. A good idea is to quickly go over what you need with them before they walk.
Normally, you will want to suggest that they walk slowly and even pause for a quick shot at a certain location. This is a good idea because it will help you to get all the shots you need, and allow the people walking down the aisle to have good photos taken of them. Whether the couple is having a small wedding altogether, or just invites a smaller group of people to the actual ceremony, there is always a chance that there will be few rows of people and the guests are spread thin. One solution to not have this negatively impact the images is to use a longer focal length lens, and not utilize any of the empty seating in your shots.
Even if there are few people actually at the wedding ceremony, as a photographer you have the ability to make it seem like everyone is there. This wedding photography tip is really an extension of the one before it.
Wedding Photography Tips for Beginners – Go From Novice to Expert Quick! – Formed From Light
We love using guests as a foreground framing device. It instantly gives more context to ceremony images. Not only this, but it is a way to show off that people are paying attention. Having a shot of mom watching from the front row as her daughter is getting married is a really simple and powerful thing! We talk a lot about liking to use our zoom lens so we can stay more in the background, and that we like to be quiet and as unobtrusive as possible, but in practice — if we really need a shot that is close up, we will go and get it.
You will want to learn to use your best judgment for situations like this. At the end of the day, you are hired by the client to get photos, so if there is a shot you really need and feel would be valuable for them to have — get it! Having a family formal portrait list is a great idea because it allows you to make sure you get a shot with everyone, and include shots of all the requested pairings. You can do the same with bridal parties, though we only do if they are particularly large. With this list, we will call of names to coordinate things, we check them off when we are complete.
The easiest way to get through formal portraits is to have an assistant. If you are photographing a wedding alone , designating someone from the family or bridal party can be a big way to get things in order. This should be a standard tip for any type of portrait you are taking, but its especially important for these formal photos. The reason for this is because these shots, among all others taken at a wedding, are the most likely to be printed out by the family.
You know how it goes — the parents want a picture in a frame of the family, grandparents want a big wall canvas, and so on. Having a well taken family portrait is one of the best things you can do for your clients. Unless they are adamant about having their photos taken in front of a busy altar, a simple backdrop would do best so the focus remains on the important people in the shot, and not on any distractions in the scene. If in doubt about how to position the ladies of the bridal party, you can always fall back on a simple pose of facing the camera at a slight angle with bouquets down to the side.
Taking just a few seconds to actually pay attention before to click the shutter may be the difference between a good and great photo. These are absolutely basic things that when overlooked can create a lot of problems for your images. Learning some names is a good way to help take control of the crowd, and build some repoire because it shows you care. Unless you are shooting portraits outdoors under great lighting conditions, you will want to utilize flash to take good formal portraits. You may even want to have 2 off camera flashes setup if you are shooting a really large group.
To see our recommendations, check out our Recommended Flash Gear page. Keeping things light with some humor is a great way to get on with just about anyone. We all know that family formals and bridal party portraits can feel like a chore, but as the photographer in charge, interjecting some humor can help make it easier even for those who are feeling really impatient and wanting to get on to cocktail hour.
As with anything, you can take it too far. These are surefire ways to ruin a portrait image. They are both usually fixable through photo editing, but being able to never have them as a problem in the first place is the way to go. Some portraits are of the simple variety — stand here and look at the camera. Having mom hug and kiss her daughter, or dad take another shot with a huge grin on his face are some of our favorite family portraits.
No to mention, the candid moments that happen when people are getting into position! With the bridal party, this is an area you can really expand on. We love using prompts to get everyone interacting with each other instead of just standing still and looking at the camera. One of our favorites is setting everyone up and having them play whisper down the alley. It always leads to hilarity, and sets the stage that everyone is here to have a good time. The sun is low on the horizon, and leads to a really soft and beautiful look that is flattering for everyone.
This will be easiest to achieve if there are multiple photographers. But, the easiest wedding photography tip for beginners as it pertains to this is to keep moving. One thing we do is move in a circle around the couple while they remain in the same position. This allows you to get many different perspectives easily. Get low, get high, move in circles, stand further back, and get real close. All of these perspectives have something to offer — take advantage of each type! Two people who just got married are most likely going to be feeling pretty sentimental and affectionate.
While our approach to posing is extremely important to getting great wedding portraits, the unexpected candid moments the couple shares with each other are also incredibly important. Use a wide angle lens to capture environmental portraits. That is — portraits of the married couple in the context of their environment. This is a great way to show off a beautiful wedding venue that they selected for their big day. For tighter shots, you can use really any lens, but just get up close. We often will turn to our trusted 85mm lens to get a tightly compressed photo.
These portraits are much more intimate, and at times can even be abstractions just showing off parts of the couple like their hands holding each other. The wedding day is the one day a couple really wants to feel like they are looking their best. Brides want to look and feel beautiful. Photography can be an empowering part of this process — and you as the photographer have an important role to make sure they are feeling like they are looking great and doing great in front of the camera.
Pull up an image preview and show it to your couple, and watch as they react with excitement. It gets us every time!!
We often are asked…how did you get that portrait? It looks so natural!! For poses, you mostly just need to replicate the work of others. Find some portrait images you really connect with online, and put your couple into a comparable pose. This part is not too difficult with a little practice.
To really enhance your poses and get more authentic reactions from your couple, prompts can help sweeten the deal. Basically — what it comes down to is creating a shared moment. It includes many great prompts, and we tried them out ourselves to great results that you can read about in our review. The best part? An amazing little find well worth checking out!!! One of our favorite things to do during portraits is bring in some accessories to really change up the look of our images. A few accessories that we frequently use include:. When the weather cooperates, portrait time may be the easiest and best part of the wedding day.
Gosh, when we get perfect lighting and a gentle 72 degrees outside, we know we are in heaven. In reality, we often have to work around bad weather to take great portraits. If you are seeing some bad weather in the forecast, you can either make plans to get great portraits indoors, or be prepared to go outside and brave the elements. If you choose the latter, we highly suggest bringing along some photogenic umbrellas and make sure you have lens wipes on hand.
A camera rain cover will also come in hand to protect your most important asset on the big day!! This time can often feel a little awkward, and most couples would rather be back in each others arms instead of having their picture taken. We found out that a great solution to keeping our couple happy and engaged with each other, while also having their solo portraits taken by us, is to have them interact together during this time.
When you first enter the reception hall, a great place to start is chatting up the DJ. Best of all — a good DJ leads to fun vendor-to-vendor conversations. With that said, some locations will have more rigid rules. A good way to find out the rules is to simply touch base with the venue. A phone call or email can make a world of difference, and help you stand out as a photographer who cares — earning you some brownie points. Given that we use an expensive off camera flash setup, we are especially protective of our gear. The vast majority of times, we set up our flash stand right alongside the DJ booth.
This allows it to be close to the dance floor, but not in a location where people will be likely to hit it knock on wood. Maybe it seems irrational, but we always have a small fear of theft when we are photographing weddings. While there is no real sure-proof method to avoid this sort of thing from happening, the steps you can take are as follows:. Unless their is an actual event happening like the bouquet toss or cake cutting, the reception time will be filled with you taking a lot of candid photos. In our experience, these are a huge amount of fun, but can get pretty dull after an hour or 2.
What we have started to do is take a step back, observe what is going on, and go where the action is. Once we noticed the groom chatting with his grandparents, and these turned into some of our favorite reception photos. Say what you will about children, but they make for great photography subjects. This may not feel like a wedding photographer tip for beginners, but trust us — it is. When the music is blasting and everyone is having a great time on the dance floor, it can be pretty hard to resist the urge to dance. As silly as it may sound, letting loose for a few minutes is a good way to show your human side to the bride, groom, and all their guests.
Sometimes, you can bring some extra life to the party by…being the photographer who started dancing…. As an extra tip — you can add some flair to the dance floor by passing along a spare flash to one of the guests and remote triggering it from your camera. Wedding photography tip 89 — taking a break. Early on in our wedding career, we would feel this constant urge to just keep doing things non-stop. No one wants to see us standing still for even a minute!! Shooting non-stop for 8, 10, 12…or even more…hours will mean you need to have a break from time to time.
This will help you not only feel rejuvenated, but allow you to pay attention to the things going on around you a little easier. We have a big soft spot for grandparents at weddings.
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Capturing their affection for one another and interactions with other family is a great thing. Looking back at our own wedding gallery, the photos of our grandparents stand out as some of our favorites. From the formal photos to the random candid shots, they all mean a lot as we all know our time with them is more limited than with most other people on the planet. Not only missing focus and just not getting any oxygen into your brain, but it can actually lead to you missing important things happening right in front of your eyes.
Slowing down, taking a deep breath, and paying close attention to what you are actually photographing can go a long way to ensure you take photos people will want to actually look at later. The majority of weddings we shoot end in a grand exit. Actually photographing the exit is a mixture of challenging and exciting. In our experience, the photos always turn out looking better than we originally expected.
Camera RAW will give you the most opportunities to edit your images. One of our most basic photography tips is to set your shutter speed to in most situations. This is, at least, a good starting point when you are dialing in settings. Of course — if there is a lot of movement, you will want to increase your shutter speed. It is only in very unique situations where we go much lower than a shutter speed — such as when we are experimenting with long exposures for an artistic effect.
Some photographers do actually do this, but the results will not hold up over time. Beginner flash photography during weddings is actually fairly easy to get started with. Your selection of aperture will play a big role in how you tell the story of a wedding. With a wide aperture low f-stop , you can isolate a single person or subject and make them the whole focus.
For portraits, this is a great choice and our personal preference. On the other end of things, though, there is a time and place for using more narrow apertures. When we take wider shots of a venue, for example, we draw on landscape photography techniques to get everything in focus so the image is nice and sharp. Wondering what the best aperture and focal length for portraits is? We got you covered with the answer if you follow that link! This is another beginner photography tip: keep your ISO as close to as possible.
In low light situations, you will need to raise it, and that is totally fine. Throughout the wedding day, you will probably need more batteries than you think. We bring around 12 fully charged camera batteries along to weddings. Additionally, we used carry around 2 dozen AA batteries to use in our flash speedlites — only having replaced this in the past year when we upgraded to the Profoto flash system which has proprietary and longer lasting batteries. Most wedding photographers will actually recommend that you use auto-white balance. We started our wedding photography career following this tip ourselves, and while the results were not bad, they lacked consistency.
In the past 6 months, we began transitioning to setting our white balance manually. The latter ability is what we prefer, but it is not available on all camera models. Whether you are able to pick the Kelvin reading or must go with a preset, you will still find yourself taking better and more consistent images. You will have photos more accurate to the look you want them to have right out of camera. When you begin editing the photos, even with great presets, you will find your workflow is sped up thanks to more consistency in your white balance throughout all of the images.
As wedding days take place at multiple locations, we adjust our white balance regularly throughout the day depending on where we are shooting. Since learning about different focusing modes, our preference has been back button focusing. What makes back button focusing so special is that it allows you to lock in your focus on a subject AND adjust your composition. We can admit — it does take a little getting used to, but it works extremely well and will simplify your photography.
Most cameras include a number of focus points often represented as little square blocks in the viewfinder. You should know — not all focus points are made the same. Some are better than others. With so many focus point options, it can be easy to get distracted by them, or even find them to be inconsistent in how they perform. You can cut out all of this non-sense by setting up your camera to use a single focus point. We use the middle one and this will most likely be your preference too. As a wedding photographer, you are one of many service professionals that will be sharing in making the big day a great one for your mutual clients.
We have come across so many talented wedding vendors ourselves. They fit rolls both small and enormous. On the day, remember to be nice and professional as you work with these other people. This is especially true if you run into someone you really connect with, or who has work you can really get behind and support.
Having a high quality business card will help you to stand out in the sea of wedding photographers they most likely already encounter. Be creating beautiful images, always being ready to support your client, and having a good demeanor — these other vendors will be much more likely to actually take your card to heart instead of just tossing it in the trash.
If you need some high quality business cards at a reasonable price, we recommend Moo. We have really preferred the feel of the Luxe Business Cards. Almost every wedding vendor will be providing something noteworthy that can be photographed. Some items are common sense. You should always be photographing the bouquet with the bride and her bridesmaids.
Other things, like the results of the work of hair and makeup artists will be photographed naturally throughout the day and on full display. But, sometimes it can be a great idea to also feature the other vendors in photos. Sharing your images with other wedding vendors is a great idea. We regularly do this with almost every wedding we photograph.
Often, these vendors will share on their social media accounts — tagging us and directing new people to our website. From time to time, they will also use photos on their own websites, and include a backlink to us — which has a lot of SEO value for our website and brand. Whenever we post a photo on social media, we always tag all of the wedding vendors from that day. This is an easy way to keep on their radar, and your post will often display on their page in one way or another.
An important wedding photography tip for beginners — not every wedding vendor will be on your side. We hate to break it to you, but some wedding vendors are just not that great. In most things, we can manage stepping up as needed. The biggest thing that does impact us is when things are really detrimental to our photography. Now that you have wrapped up shooting, you get to take all of those great photos home and get to create them into a beautiful end product for your clients.
While at this stage you will no longer be lifting up your camera, the amount that could go wrong is very high. With our practical tips, we will help show you how to effectively select the images you want to use, how to edit the photos A BIG DEAL , and what to do from there!
This is a great quote that has stuck with us for a long time. It is used by people who have jobs backing up data among other things. In the case of wedding photographers, a big part of our job is making sure we keep our clients information secure and private when we need to — but we also need to make sure we never, under any circumstance, lose photos we have taken for them.
It has become our tradition to immediately unload images off of the SD cards straight to an external hard drive when we get home from a wedding. Because of how important all of this is, having backup drives you can trust is critically important. When it comes to external hard drives — we only use the Western Digital My Passport. A great deal if you ask us! One of the best things we did for our post-wedding workflow was get Photo Mechanic. This is a simple program that allows you to quickly cull through photos on your computer. This is an easy workaround to save you a whole lot of time fast!
Finding your preferred photo editing style can take time. You may find yourself browsing through countless presets available online — and this might help you narrow down the things you like and dislike. While experimentation and proper product evaluation should be a part of finding the right edit for your wedding photography, there is another little tool that we used. Write down what characteristics you want your photography to embody. Seriously, take out a piece of paper and just write down a list of words to describe your ideal photo edits. From there, you can start to identify what in photo editing helps you to achieve the look you are going for.
You might even be incorporating a whole lot of stylish black and white imagery. As you can see, defining what you want your edits to represent, then finding ways to make that actionable is a great little exercise that you can do pretty quickly!! These are, hands down, the photo editing tools we would recommend for anyone ranging from total beginners to advanced users. The things you can do with these platforms is absolutely amazing.
Right out the gate, you can start to enhance your images in great ways. We use Lightroom presets ourselves — having initially bought a number of different packs until we created our own. Your choice of presets will come down to how well they will help you achieve the style you are going for. After a wedding, our goal is to normally get some sneak peaks posted on social media within hours.
Almost always — we end up receiving a number of new followers, too! Black and white photography is extremely suited for weddings. While we never take black and white photos in camera because we consider it unnecessary, every image can be edited to be black and white in post production. The solution here is to use solid black and white photography editing presets. We can see the merits of both approaches. We actually prefer lower contrast edits, but sometimes this can also be subjective depending on the specific image in front of our face.
The last editing tip for wedding photography beginners we want to give you is a really easy one: remember to crop your images if you need to. Sometimes, we snap photos without realizing that there is a lot of unnecessary space or distracting things around the edges. By cropping in the image, you can hand select what actually becomes the focus of the image. The first aspect that is most important is to make sure you are fulfilling your contractual obligations.
Your contracts should state how long it will take for the client to receive their photos if it does not — you need to update this ASAP! For many photographers, this will be between a few weeks or months. There is no right or wrong — but you need to be realistic with the amount of work you are taking on and set the expectations with your clients appropriately. Delivering your photos on time is a surefire way to make sure your clients are happy, and not leaving them with some horror story of trying to chase their photographer to get images from the most important day of their lives.
At one time, wedding photos would be purchased exclusively through prints and rolls of film, but the times have changed. From there, the many gallery platforms will also include other features such as the ability to sells prints through an online store. In our experience, we currently use and recommend Pic-Time.