First it was a media sensation. Then it became the 1 international bestseller A Long Way Home. At only five years old, Saroo Brierley got lost on a train in India. Unable to read or write or recall the name of his hometown or even his own last name, he survived alone for weeks on the rough streets of Calcutta before ultimately being transferred to an agency and adopted by a couple in Australia.
Despite his gratitude, Brierley always wondered about his origins. Eventually, with the advent of Google Earth, he had the opportunity to look for the needle in a haystack he once called home, and pore over satellite images for landmarks he might recognize or mathematical equations that might further narrow down the labyrinthine map of India. It celebrates the importance of never letting go of what drives the human spirit: hope. A Documentary-Style Film. Contact About Amazon Afilliate.
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A Long Way Home
Share on Facebook Pin this item Email a friend Tweet this item. Spesso comprati insieme. No way, she said, the same light in her eyes as the day she had taught me to row. You have to call it Brutita. Before one enters this spectrum of sorrow, which changes even the color of trees, there is a blind and daringly wrong assumption that probably allows us to blunder through the days.
There is a way one thinks that the show will never end—or that loss, when it comes, will be toward the end of the road, not in its middle. I was fifty-one when Caroline died, and by that point in life you should have gone to enough funerals to be able to quote the verses from Ecclesiastes by heart. But no one I had loved— no one I counted among the necessary pillars of life—had died suddenly, too young, full of determination not to go. No one had gotten the bad lab report, lost the hair, been told to get her affairs in order. More important, not Caroline.
Not the best friend, the kid sister, the one who had joked for years that she would bring me soup decades down the line, when I was too aged and frail to cook. The friendship must have announced its depth by its obvious affection, but also by our similarities, muted or apparent. That our life stories had wound their way toward each other on corresponding paths was part of the early connection. Finding Caroline was like placing a personal ad for an imaginary friend, then having her show up at your door funnier and better than you had conceived.
Apart, we had each been frightened drunks and aspiring writers and dog lovers; together, we became a small corporation.
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We had a lot of dreams, some of them silly, all part of the private code shared by people who plan to be around for the luxuries of time. The Border collies would train the corgis, we declared, and the corgis would be what we fondly called the purse dogs. The tatting notion came about during one of our endless conversations about whether we were living our lives correctly— an ongoing dialogue that ranged from the serious writing, solitude, loneliness to the mundane wasted time, the idiocies of urban life, trash TV.
These were the sort of rag-and-bone markers that came flying back to me, in a high wind of anguish, when she was dying: I remember trying to explain the tatting center to someone who knew us, then realizing how absurd it sounded, and breaking down. Of course no one would understand the tatting center; like most codes of intimacy, it resisted translation. Part of what made it funny was that it was ours alone.
One of the things we loved about rowing was its near mystical beauty— the strokes cresting across the water, the shimmering quiet of the row itself.
Days after her death, I dreamed that the two of us were standing together in a dark boathouse, its only light source a line of incandescent blue sculls that hung above us like a wash of constellations. McConnell, author of For the Love of a Dog. Whose story, at heart, would you say this is? To what degree do you think the strength of a friendship depends on being able to disappear into an imaginary world together, to develop a secret code that only the friends understand?
What about in your own life? Gail and Caroline have a great deal in common, but they also have very different personalities. In what ways are they similar, and in what ways different? Do you think these elements strengthen or weaken their bond? Both Gail and Caroline have relationships with men, and yet the core of their friendship seems to contain a singular intimacy of the kind that exists between women. Does that bond call to mind friendships or relationships in your own life?
As the author is struggling to overcome her alcoholism, she has two conversations that help change the way she sees the world and her experiences. The flaw is the thing we love. Can you think of examples, in the book or in your own life, that prove or disprove these ideas?
How do you think this contributes to the effect and emotional impact of the book overall? Does it reflect the nature of the friendship itself? Could Caldwell have told her story any other way?
A Long Way Home by Saroo Brierley (, Paperback) for sale online | eBay
Do you see Gail, as a character, change in the course of the book—having discovered, and then lost, both Caroline and Clementine? What would you say she has gained? Wherever I danced, she followed. Caroline and Gail have a private game in which they assign a dog breed to each person they know. For fun, what kind of dog would you be?
What about your best friend?