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Eudoxe Marcille", Gazette des beaux-arts , IV, , p. Charlotte Steinbrucker, Berlin, Catalogue des peintures et dessins. Collection Jean Gigoux. Collection Adrien Paris. Anthony M. Portrait miniatures in enamel , London, I disegni di Leonardo e della sua cerchia , cat. National Gallery of Art, Washington , English translation, London, see Treatises.

Patrick Michel, Villeneuve d'Ascq, New York, Vie et oeuvre. Catalogue complet des peintures , Fribourg, Armand P. Delany , ed. Lady Llanover, London, Galleria di Venezia con note storiche e critiche , Venezia, Gaehtgens, ed. Les pastels du chevalier de Boufflers; II. Le pastelliste Joseph Petitot", Genava , , pp. Das Kunstwerk des Monats ,. Frank R. Ellen G. The history of the collection and its masterpieces , Munich, Francis H.

Craievich, eds. Pierre H. Belle van Zuylen, een biografie , Amsterdam, Ein Handbuch der Sammlung , Berlin, Anne French. English art, sixteenth to nineteenth centuries , Leningrad, Jahrhunderts , Hanover, Journal des arts, de literature et de commerce , Durham, at her home in Raynham , Vernichtete und vermisste Werke , Dresden, Goodman , pp. Rowlands, "The dispersal of the last duke of Mantua's paintings", Gazette des beaux-arts , cxxiii, , pp.

Kress Collection: European schools excluding Italian , London, Rudolf E. Charles S. Cyril C. Kilkenny, — Boston, L'Otto e il Novecento , Milan, Peter S.

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Jahrhunderts , Strasbourg, Peter Baines, XIX, , pp. Henry S. Karoline Luise von Baden , American portrait and mounring miniatures , New Haven, Alfred M. Burton B. Paul Getty Museum , Malibu, ; 2nd ed. Paul Getty Museum: paintings , Los Angeles, Max J. Die Zeichnungen alter Meister im Kupferstichkabinett. Die deutschen Meister , Berlin, Jahrhunderts , Frankfurt am Main, Sculptures du musee du Louvre , Paris, Thomas W. Ryllis Clair Alexander, Oxford, Vien", Revue du Louvre , , pp.

Memory book

Jennifer G. Les commis des guerres de la maison du roi — , Paris, Vijf eeuwen familieportretten in Slot Zuylen , Maarssen, George R. Schultz, D. Buti, K. Bridgland, art. Prud'hon , Paris, Paris, , pp.

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Robin Ironside, illustrations selected by Ludwig Goldscheider, Oxford, Frank H. The book of picture frames , New York, Jane Turner, London, Residenzgalerie Salzburg, Catalogue des peintures anciennes , Strasbourg, Philip H. Langhans, A biographical dictionary of actors, Die Meisterin von Pastellmalerei , Leipzig, Meisterwerke aus der Sammlung Emil S.

Kern , Bern, Eine vergessene Frankfurter Pastellmalerin der Dalbergzeit. Biografie und Werkverzeichnis", Mitteilungen aus dem Stadt- und Stiftsarchiv Aschaffenburg , xii, , pp. Jahrhunderts in der Kunsthalle Bremen , Bremen, Edouard D. Sidney C. Frecnh before , London, Raines, Philip Mercier , exh. Detlev Schwennicke, Marburg, Paul Getty Museum , Los Angeles, Sara A. Ebel, "Winterthur primer: American portraits in pastel", Antiques and fine art , Spring , pp.

Inventaire des miniatures Loche, Liotard , Burlington magazine ,. Joseph Yorke , oil, [m]. Jahrhundert , Munich, Christopher M.

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Ulf G. A brief account of his life and works by G. The Michael L. Munger, The Wrightsman Galleries for French decorative arts. The Metropolitan Museum , New Haven, Frank J. Kloek, C. The collection of the Frans Hals Museum , Ghent, Buff", Jahrbuch des Freien Deutschen Hochstifts , , pp. Peter F. Joanna M. KOSEK, "The porosity of pastels and the effect of water treatments on the suction table: A preliminary investigation", The conservator , xiv, , pp.

Diana J. Jhr F. Peter O. Rolf G. Porter, eds. Reimar F. Crozat, baron de Thiers , Paris, Versailles", Burlington magazine ,. The latter was bought in and re-presented in Stockholm, Bukowski, Jahrhunderts , Leipzig, Catalogue of the National Gallery of Canada , Ottawa, A proposito del pastello", Per Luigi Grassi. Disegno e disegni , ed.

Forlani Tempesti, Rimini, Ferdinand H. Le guide du collectionneur , Paris, Remises au jour. Enrichissements , Bordeaux, He has, indeed, a lot to get his teeth into. Among the bearers of these names, some were more inclined than others to look down their long Loftus noses at indigenous uproar or disaffection. The Loftus families of Wexford, Dublin and Kilkenny, viscounts, high sheriffs, magistrates and all, were embroiled in the great events of the day, even while mad Anglo-Irishness flourished apace.

We hear of another Dudley, a friend of Buck Whaley, who played a part in contemporary Dublin extravaganzas; and a couple of old insane sisters who wore red pocket handkerchiefs stitched together and shared a dinner plate with a parrot. There are stories here concerning the arrival, in a thunderstorm, of the devil in person at Loftus Hall; and the ghost of a drunken kennelman eaten by his hungry dogs. Among the issues for the rich are disputed entitlements to land and property; and the danger to heiresses of abduction rackets.

Whether wayward or conservative, those in the network of interconnected families are conscious of their position in the Irish world and the need to maintain it.

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Simon Loftus presents a vivid account of the savagery that erupted in , on both sides: battles raging in the narrow streets of New Ross, maddened horses running loose dragging corpses behind them. What else? Otherwise, The Invention of Memory — more than a scrapbook — adds up to a series of beautifully rendered evocations of landscape, people, attitudes, emblems and events.

It treats the sweep of a melancholy history with the utmost poise and discernment. I had no career.

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We use cookies to personalise content, target and report on ads, to provide social media features and to analyse our traffic. For more information see our Cookie Policy. The passions and eccentricities, the daily concerns and relationships, the rich dramas and anecdotes of individuals in this Ascendancy family - over eight generations - combine to form an enthralling memoir of shifting viewpoints and entertainingly inconsistent accounts of a shared past. The Invention of Memory is a profound family portrait and a sweeping history that examines the nature of recollection and how our memories are shaped by experience and time.

It treats the sweep of a melancholy history with the utmost poise and discernment. Sign up to our newsletter today! Click here for more details