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Dust Jacket Condition: Very Good. For sixty years, since the birth of United Artists, the studio landscape was unchanged. Now Nicole LaPorte,who covered the company for Variety , goes behind the hype to reveal for the first time the delicious truth of what happened.
We watch as the studio burns through billions, its rich owners get richer, and everybody else suffers. Here is Hollywood, up close, glamorous, and gritty. Nothing in decades had approached the excitement surrounding the empire called DreamWorks, where hype, glory, and investors vying to kick in billions gave way to blowups, battles, and betrayals worthy of The Godfather.
Nicole LaPorte reveals for the first time the delicious truth of what happened behind the scenes. From a previously unequaled vantage, we see the slightly otherworldly Spielberg, so rich and famous that the borders of reality, much less his admiring new partners, can barely contain him.
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His shock comes when the one movie he does not micromanage — the tale of a green ogre called Shrek — becomes a four-billion-dollar franchise while his own projects tank one by one. LaPorte shows us the making of Oscar-winning triumphs, including Saving Private Ryan, American Beauty, and Gladiator, a box-office crowd pleaser whose star, Russell Crowe, threatened homicide in bizarre late-night phone tirades.
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Yet we watch as the partners alternately obsess and ignore their company as it burns through billions. We see Geffen showing his mettle against superagent Michael Ovitz, and staging a fireworks display during the negotiations that ultimately took DreamWorks to Paramount and then to Disney. Here are three larger-than-life personalities, moguls that hark back to the days of Mayer and Goldwyn, making moves that remind us that in Hollywood, big business calls for memorable performances.
DreamWorks moguls turn getting even into art form - Winnipeg Free Press
Visit Seller's Storefront. We accept MC, Visa, Disc. Orders ship within two business days but usually within one day, If we get the order before 10AM, we do ship same day. But its expansiveness was also reflective of its resident rainmaker: director Steven Spielberg.
DreamWorks moguls turn getting even into art form
Which is why the S came first. Anything Steven thinks is important, we want to invest in. The tricky part for Katzenberg and Geffen, however, was not just catering to Spielberg, but making certain that he stayed focused.
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My mission in life is for Steven to swing as many times as he can and, with all due respect, I should be taking a few swings at bat, too. Everyone had witnessed his losing streak during his twilight years at Disney, when the company started forsaking its live-action formula of simple, accessible story lines and reasonable budgets.
Warshawski" and "Newsies," a musical about a singing newspaper boy in the Depression. That Spielberg apparently deemed him not ready for primetime must have come as a shock to Katzenberg, too. But it soon became evident that Spielberg would be ruling his turf without any input from his new partners.