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6. Bright Orange for the Shroud

From a beloved master of crime fiction, Dress Her in Indigo is one of many classic novels featuring Travis McGee, the hard-boiled detective who lives on a houseboat. Travis McGee could never deny his old friend anything. What they find is stranger, kinkier, and far more deadly. Not only had Bix made a whole group of dangerous, loathsome friends, but she was also mixed up in trafficking heroin into the United States. By the time she died, she was a shell of her former self.

More featuring private investigators. Robert B. But over the course of a legendary literary career, Parker single-handedly reinvented American detective fiction for the modern world with his irreverent, idealistic protagonist, Spenser. Praise for Robert B. Unexpectedly literate—[Spenser is] in many respects the very exemplar of the species.

The Toff Goes to Market. John Creasey. Stars for the Toff. Upon doing so, little does he realise the danger involved, and that there is much more at stake — including murder! Feathers for the Toff. Thus begins a mystery which inevitable sees Rollison drawn in and put in danger — but this time from a very unusual source. Hunt The Toff. Whilst on holiday, he had befriended a girl who is not all she appears to be at first sight.

A man who has been following her was then found murdered. Similar ebooks. A Bullet for Cinderella: A Novel. Desperate for a thrill as much as a big payday, Tal heads for the sleepy village in upstate New York where, a dying pal once assured him, buried treasure awaits. Somehow Earl got here first.

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MacDonald is a shining example for all of us in the field. Talk about the best. The Institute: A Novel. Stephen King. From 1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It—publishing just as the second part of It, the movie, lands in theaters. The operation takes less than two minutes. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon.

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They are all in Front Half. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

Hugh Merrill. Although John D. MacDonald published seventy novels and more than five hundred short stories in his lifetime, he is remembered best for his Travis McGee series. With Travis McGee, MacDonald changed the pattern of the hardboiled private detectives who preceeded him. McGee has a social conscience, holds thoughtful conversations with his retired economist buddy Meyer, and worries about corporate greed, racism and the Florida ecolgoy in a long series whose brand recognition for the series the author cleverly advanced by inserting a color in every title.

Merrill carefully builds a picture of a man who in unexpected ways epitomized the Horatio Alger sagas that comprised his strict father's secular bible.

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From a financially struggling childhood and a succession of drab nine-to-five occupations, MacDonald settled down to writing for a living a lifestyle that would have horrified his father. He worked very hard and was rewarded with a more than decent livelihood.

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But unlike Alger's heroes, MacDonald had a lot of fun doing it. The Brass Cupcake: A Novel. One of the most beloved American thriller writers of the twentieth century kicks off a rip-roaring career with his exhilarating first novel, a hard-boiled classic full of twists and turns, good intentions and bad coincidences, the stench of corruption and the pursuit of justice at any cost. After quitting the force over a crisis of conscience, he takes a job at an insurance company buying back stolen jewelry.

Cliff is focused on keeping the bottom line down and staying out of the spotlight.

Bright Orange for the Shroud

Now all they need is a suspect: someone capable of cold-blooded murder in the name of profit. And that could mean anyone in this crooked town. Praise for John D. We have a first class villain and a cast of con-men that ring true. I place this series in the pantheon of historic crime masters like Dashiell Hammett, Raymond Chandler and Ross MacDonald no relation where perfect characters and plots are immortal.

What was one of the most memorable moments of Bright Orange for the Shroud? It would be unfair to give up too much of the plot, but the search of the villain's property was a classic. McGee has a gift for the theatrical. Excellent rendition of male and female characters.

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Good accents and a nice energy level to the reading. A very pleasant voice to have a story read to you. If you were to make a film of this book, what would be the tag line be? Scams don't pay and beware of your spouse! I read these all in print, then listened to them as abridged versions with Darrin McGavin narrating. Robert Petkoff is a fine narrator, but I miss McGavin.

He caught the ironic quality of Travis McGee perfectly. However, he has passed away Very good.


The story is classic MacDonald. There's lots of action, violence, sex, angst, and diatribes consisting of highly astute and unfortunately, very accurate observations of what we were then doing and have now done! MacDonald was fanatical about ecology before it was fashionable. Travis McGee is unique and most interesting: a violent man who abhors violence which sometime means that he hates himself, too.

He kills, but he is ashamed of it and it brings him neither joy nor satisfaction. He cannot excuse his own guilt. Travis McGee is complex and contradictory You don't have to read them in order. However you read them, they are complete stories. It is the amateur. Just to be clear, the writing about women still left something to be desired. Every Travis McGee novel makes me imagine Burt Reynolds spanking some bikini wearing eye candy in some movie about cars, boats, or horses.

They are certainly not provincial, but they haven't yet made it to modern. But, briefly, in this novel, there was an almost mature, subtle, untangling of sex that was both real and dare I say it? It is surprising to say that a writer that specializes in Florida pulp can still surprise me. I guess that is why I keep coming back to John D. In he wrote perhaps one of the best, most honest, couple paragraphs about sex I've read most sex writing sends me running for the hills.

It was a sound so faint it was not actually a sound, more a rhythm sensed. It is a bed rhythm, strangely akin to a heartbeat, though softer. Whum-fa, whum-fa, whum-fa.

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As eternal, clinical, inevitable as the slow gallop of the heart itself. And as basic to the race, reaching from percale back to the pallet of dried grasses in the cave corner. A sound clean and true, a nastiness only to all those unfortunates who carry through their narrow days their own little hidden pools of nastiness, ready to spill it upon anything so real it frightens them.

Heard even in its most shoddy context, as through the papery walls of a convention motel, this life-beat could be diminished not to evil but to a kind of pathos, because then it was an attempt at affirmation between strangers, a way to try to stop all the clocks, a way to try to say: I live. The billions upon billions of lives which have come and gone, and that small fraction now walking the world, came of this life-pulse, and to deny it dignity would be to diminish the blood and need and purpose of the race, make us all bawdy clowns, thrusting and bumping away in a ludicrous heat, shamed by our own instinct.

John D. MacDonald was one of our best crime story writers. Bright Orange for the Shroud is one of the best in the McGee series. It has it all-a classic revenge story, a villain that is worth the listen alone, a carefully told and skillfully developed novel with good old-fashioned edge of the seat suspense plus a series hero who's worth his weight in gold..

One of the better additions to Audible. That said, Travis is a great character and each book just makes me a bigger fan. The narrator is perfect. I hope he did all 21 books. Would you listen to Bright Orange for the Shroud again? I'd like to re-listen to all of these Travis McGee books.

I'm on my fifth and will listen to them all, just like I read and re-read them years ago. What other book might you compare Bright Orange for the Shroud to and why? Well, of course, the other Travis McGee books in the series. This recording was delightful. Which scene was your favorite? I loved all the scenes with Chookie and Arthur, and her sweet ways of helping him heal.

She is a wonderful character. Any additional comments? Boo Waxwell was a wonderful, horrible villain. I loved the nastiness MacDonald created in this bad guy! It feels like I just started reading this series. I read this one in late July and I am now on number I'll be disappointed to finish but happy that I happened upon the series and will look to read other titles from the same author. I haven't even listened to this or read the novel yet, but I have been waiting for this day for two years!