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Romantics and Modernists in British Cinema

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Expatriate Eye 2: Kubrick and Skolimowski 8. The late John Orr was Emeritus Professor at the University of Edinburgh and published widely in the areas of modern culture, cinema, theatre and literature. He was also a reviewer for a wide number of periodicals and online journals including Screen, Studies in French Cinema, Film International and Senses of Cinema. John Orr's book gives the most ambitious single-author overview of British cinema since Raymond Durgnat's ground-breaking A Mirror for England 40 years ago.


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Not only does Orr offer much that is fresh and illuminating on film-makers ranging from Lean and Reed, through outsiders like Losey and Polanski, to Bill Douglas and Terence Davies, but he places them in a convincing overall perspective. Anyone interested in the riches of Britain's film history will gain from reading it.

Romantics and Modernists in British Cinema - Edinburgh University Press

Agreeably concise and superbly organised, with a brace of excellent stills to complement the text, this book provides an enjoyable, accessible read while also displaying intellectual rigour and insight. Highly recommended. Orr has already written valuable books on Hitchcock's influence and on cinema and modernity. Drawing on these, he traces a dialectic between romanticism and modernism that runs through UK cinema from the beginning of the sound era to the present - often creating a vital tension within its major filmmakers.

Modernism and the Cinema (10 credit points)

His themes and juxtapositions are never conventional: chapters on the fugitive 'running man' and the 'trauma film' introduce important new critical perspectives, and his enthusiasms are infectious. Not since Ray Durgnat's A Mirror for England an acknowledged inspiration has there been such a stimulating book on cinema in the British Isles. When Orr is writing about the cinema he clearly loves most Hitchcock, Reed, Douglas, Davies, McQueen his own fusing of modernism and romanticism comes to the fore - clear, cogent analysis with an underlying lyricism that inspires an imaginative passion in the reader.

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Hardcover Edinburgh University Press. Produktbeschreibung In a fresh and invigorating look at British cinema that considers film as an art form among other arts, John Orr takes a critical look at the intriguing relationship between romanticism and modernism that has been much neglected in the study of UK cinema and downplayed in the development of Western cinema.

Part 9: Cinematographers Part Realism and Melodrama Part The Heritage Debate London and New York: Wallflower, , pp. Part Art and Popular Cinema Columbia University Press: , pp.

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Part Censorship Case Study: Witchfinder General Case Study: Funny Bones Case Study: Sexy Beast Part Representation, Nationality, and Gender Cineaste: Contemporary British Cinema Supplement , 26,4, pp. Related Papers.